Marching in the Greek Independence Day Parade in NYC

Culture and ethnicity play a large role in my every day life.  Somehow my Greek and Armenian heritage influences my cooking and food choices, how I think and what activities I do, the colors of my surroundings, and possibly the colors and subjects I chose to paint. 

Each of us has an inherited background that makes us who we are, no matter what country we, or our ancestors, hail from.  We all carry those genes with us.  To some people, nationality is just something in our past, but to many people it’s life today.

Second and third generations of Greek, and Armenian, Americans are holding fast to their culture, jumping in it full body-they speak the language, they dance the traditional dances to the original music and instruments, revel in the newest music in the hotspots of today, eat and cook the foods, totally embracing the culture and living the life. 

We try as best we can to visit the country of our parents, grandparents, and our great-grandparents birth and immerse ourselves in that world.  It’s cool to be us.  I’ll tell you about the Greek side for now.  The Armenians have a whole other story that needs it’s own space.

A proud part of the Greek heritage is attending or marching in the Greek Independence Day parade in cities where there are large concentrations of Greeks like New York, where if you want to do something Greek you can do it any day of the week!  The war for Greek independence began March 25, 1821 when the Greeks organized to revolt from the 400 years of occupation and oppression by the barbarous Ottoman Turks.  An influential Greek writer and intellectual, Rigas Feraios, wrote a poem about national pride with the often quoted line:

“Better one hour of free life, than forty years of slavery and prison

It’s a proud moment in Greek history and every year we celebrate with various gatherings and events.  This past Sunday was the largest parade in the US on New York’s Fifth Avenue.  I’ve marched in this parade since I was a little kid attending Greek afternoon language school, a must for kids of Greek descent.  When my kids were small we marched, even had one of them in a stroller (maybe that was a no-no, but I did it anyway!)  Lately, as members of a dance group we get to march in different authentic costumes.  I love it! 

We march early in the parade in the first of three battalions of participants, from 64th Street to The Metropolitan Museum of Art at 79th Street.  Most of the Greek churches and schools participate, along with national societies from every region of Greece, university student’s societies, youth and fraternal organizations.  The whole community comes out for this event and the past three years it has been televised.

The Grand Marshalls of this year’s event was a popular NY TV newsman Ernie Anastos and United States Marine Corps Reserves Colonel Matthew Bogdanos. Many other New York dignitaries start off the parade  marching and later sit in the reviewing stands to watch. 

Politicians, our mayor, the Archbishop of the Greek Orthodox Church, and other invited guests attend.  The highlight of the parade, for me anyway, are the Evzones who are the national guards of Greece.  They stand guard in Athens at the Tomb of the Unknown Soldier and they march with pride and flourish.  Each soldier stands over six feet tall and they’re dressed in the traditional Evzone uniforms, carrying their rifles, it’s just amazing to see them marching in file, coming down the avenue every year.

There were hundreds of people, but I did see some friends in the crowds while I was marching.  My kids were marching with a different group this year and I missed seeing them because we were stationed ahead of them, darn! 

Here I am in full costume with my sister, ready and waiting to go!  I’m wearing the bridal dress of the nomads of Greece, who were know as the Sarakatsani.  My sis is wearing a costume from the Peloponese peninsula.  Cool, right?

It was a sunny, but windy cold day on Sunday, but I thoroughly enjoyed myself. I can’t wait to do it again!

On a Date with El Greco

Last week I planned a big Artist’s Date in NYC.  I visited my sister’s apartment to see her Christmas tree before she took it down and since I was there I wanted to go to the El Greco Icon Paintings exhibit at the Onassis Foundation/Cultural Center. 

I know I’m supposed to go on these artist dates all alone, but I’ll plan another one like that.  This was different because we were together anyway so it made sense to go together.  The Onassis Center is on Fifth Avenue and 51st Street, right smack in the tourist areas.  Nearby is Rockefeller Center, Saks Fifth Avenue, Bergdorf-Goodman, and many of the designer stores like Gucci, and the lot.  Of course a pair of on-sale Manolo Blahnik shoes from Bergdorf’s found their way into a shopping bag and followed me out the door, but we won’t go there for now.

The El Greco exhibit wasn’t all El Greco, but a view of the context of artists and style of icon painting that he emerged from.  The Greek island of Crete, where the artist was born, in the 1200’s was a Venetian territory and the artists developed icons in the Byzantine style as well as adopting a Late Gothic style since Crete was a multicultural society at that time.  Artists such as Bellini, Raphael, and Titan were influences on these icon painters.  At this time, Crete was overflowing in the number of churches and there was a great need for this work. The artists moved between Constantinople, Crete and Venice as apprentices, Domenikos Theotokopoulos among them at about 1563, when he became a master icon painter.
As a Greek Orthodox christian, to me these were not only paintings, but icons of the saints of our church.  The exhibition space was large and dimly lit and I wanted to venerate each icon as we viewed them.  Of course, the paintings stand alone as art pieces.  We were able to look at the work up close enough to see the brush strokes.  These are very old paintings, many of them having been repaired over the years from many causes.  The artists painted on treated wood and the icons were hanging in churches, monasteries, and I’m sure, not under the best conditions.  At least now they are being preserved.  Some works were wall size pieces, and many were smaller sized.
By the time El Greco (“The Greek”) developed his signature style of painting he was living in Venice, around 1568, where he became an apprentice once again studying Western European art in the Venetian style.  He was living in Toledo, Spain by 1576, where he spend the rest of his life.  The elongated figures and chiaraschuro, that represents his final style is totally different than that of his Cretan icons and is very well depicted in this exhibition.
While viewing this exhibit I was reminded of an icon I have at home.  It was given to me by my uncle who was an antique furniture restorer.  Where he got this icon I’ll never know, but it has these same Venetian influences!  So now I’m on a quest to find out more about it.  Tomorrow photos!

Artist Date at the Guggenheim

Recently, I visited the Guggenheim Museum in New York City to see the Vasily Kandinsky exhibition.  It’s on 5th Avenue in the 80’s on Museum Row where there are other museums and galleries.  The Guggenheim is a cool place to visit in itself and was designed by Frank Lloyd Wright.  
Outside and inside, the walls of the building twist around and around, floor to floor, as you view the paintings.  It’s visually stunning.  From the inside lobby you can see the ceiling and each floor circumscribes the space going all the way up.  People can be seen moving around and up as they step back to view the art, some lean on the wall or hang over.  Cool, weird and scary all at once.

This was my latest and longest Artist’s Date.  The point of it is to go alone and be in the moment without distraction from a side-kick.  As soon as you invite a friend along, the magic spell is broken.  It’s no longer a play date with your inner child artist.  You know how the other person always wants to go this way and you want to go the other? 

Going alone insures you do what you want, when you want, and how.  Since I’m the type that likes “alone” it’s perfect!   I took mass transit to get there, which was wonderful and clean.  I wish I had taken photos of the subway stations because each stop has it’s own flavor of mosaic tile designs on the walls.  Next time.  The weather was comfortably cool so I wasn’t dragging a winter coat around the museum.

With the $18 price of admission, I had the opportunity to use the headset with taped information on Kandinsky’s life and each painting in the show.  The massive exhibit was very extensive with work from Kandinsky’s early years to his very last painting.  
The symbolism he used told the story of life in Russia and other places he lived, his spirituality and connection of color to classical music.  Very intense, bright color ruled most of his work in which he liked to abstract forms.  
As he progressed in life his work became slightly more minimal, but color, form and symbolism reigned none-the-less.  It was all so interesting I took notes, and I’m out of school a long time.  Overall, this was a great Artist’s Date.  I can’t wait for the next museum trip!