Taking my Time with the Bagpipe

With the idea of spending just 15 minutes in the studio I’ve been able to work on this newest painting of my son and his Greek bagpipe.  Fifteen minutes turned into a couple of hours, so I guess it’s something to keep up doing.
I’m trying to go slow on this work too since my tendency is to throw paint around and then I’ve gone too far.  In that respect, using watercolor as my medium is discipline.  I think to myself:  Take your time, don’t rush, don’t be impulsive with the colors.  I like to just go with my gut on the color choice, letting my instincts take over.  Choose first, think later and I end up sorry sometimes.  I guess it depends on my mood.  As with the first cherry blossoms painting I’m thinking more before I act.
A plus about blogging on my painting is the work-in-progress photo.  After taking a photo I can see, somewhat easier, where I need to go .  The photo flattens things out.  It’s like taking that step back from the easel and squinting at my work.  The camera helps me squint and blur the edges, colors and composition to see where I’m going.  While I’m painting I could make huge application mistakes that could cost me the whole shebang.  Then it’s dumpster time!   Sometimes things are not fixable.  I’d like to avoid that and keep an upbeat attitude, if I can help it.
Taking it slow, chosing and applying the paint, stopping to photograph the work, and stopping altogether is keeping this baby alive.  I can already see some things I might have done better, but I’m painting.  I’m in the process.  Whatever the outcome, I did it and if I need to, I’ll move on.  It’s all good.

Yes I Can

With yesterday’s post in mind about going into the studio for 15 minutes, I did just that.  Luck was with me and the stupid light in the studio was working. 
Going into the studio, I decided to look at the latest cherry blossoms painting I was playing with.  The first one is over and done.  I don’t think I can do anything else to it because, firstly, I’m over it, and secondly, I’ll just over do it.  I signed it and I’m done. The second watercolor needed a little definition in the flowers and I worked on that until I was done with it, too.  Signed, done.
On my desk is a couple of print-outs of my son playing a traditional Greek bagpipe.  He had a YouTube video of music he was practicing and I just loved the look of it.  To me it was so Rembrandt, all chiaraschuro like.  Bright light against deep darks.  I liked that moody look and printed out some frames, with his permission of course.  I sketched out the basic subject and lines for the background on watercolor paper.  This would probably be a better oil painting than a watercolor, but hey, the watercolors are out so that’s what I’m going to use.  If I don’t like it, I can paint another one in oils, which I probably will do. 
I didn’t want to plunge right in with color just yet.  I need a tube of New Gamboge that I’ve used before for painting skin color in watercolor.  It’s just a nice soft color and adding shadows to it is easy.  So I’m off to Pearl Paint today to see what brands they have in this color.  Forgot about it when I was there last week for the 50% off sale. 

It’s amazing how an idea like doing something for only 15 minutes can wake you up and charge the batteries.  I’m going to make this my little Artist’s Date for the week. 

You have to take the motivation where you can get it and run!

Art in 15 Minutes

I read a blogpost and a “tweet” yesterday from Alyson Stanfield, author of I’d Rather Be In The Studio and The ArtBiz Blog, that said if an artist cannot commit to hours in the studio at least try to do 15 minutes (here).  That statement speaks volumes to me! 

I can definately do 15 minutes a day!  In fact, whenever I go to my art space to just look at my supplies for a couple of minutes I end up spending hours painting, where I had no intention to do that.  Now, if I could get myself to go to that place every day for just the 15 minutes I’d be on my way!  It could happen.  It has happened. 

Whining about time looks like something I like to do, but I don’t like to whine.  I try to keep my whining to myself, but now that I’m blogging about it the cat’s out of the bag.  I never thought of myself as a whiner.  That’s why I picked up Alyson’s book and read The Artist’s Way course.  These two books have allowed me to identify the blocks I allow to fall in my way to creativity time, at the very least.  More over, they have led me to make more art these days.  I can finally say to myself, ok, the housework/errands are done or can be done later, now is studio time.

I’ve learned to be unconciously concious.  Does that make sense?  Aware of my time is maybe a better explaination.  When I allow myself to become distracted by mundane things I’m more aware of it and can turn it around now.  Before I would end up drowning in laundry and letting it happen.  Things have definately improved in that sense.

Ok, I’m off to do my errands.  Be back in 15 minutes!

Thought for Thursday- Happy New Year!

DECIDE that each day will be a good day and that you’ll be in a good mood. That’s right: You can decide. 
DECIDE that you’ll sing, smile, laugh, and dance more often.
DECIDE to make this a rewarding year filled with things and people you love.
 
~Alyson Stanfield, The ArtBiz Blog

This blog effort has been a fun and rewarding experience.  Thank you all for reading and commenting.  Here’s to a happy, healthy, and productive 2010! 

Working on the Zen

I’m steadily moving along on the cherry blossoms painting and not pulling my hair out yet!  Little by little, I can see it taking shape.  I guess I’m pleased with the way it’s coming along so far since I haven’t ditched it by now.

I like the shadows on the flower petals and trying very hard to keep the bright sun light showing.  I hope it will convey that feeling of calm and well being that my friend is looking for.
The paints I’m using are lovely.  After a discussing with another artist, I stayed with the MaimieriBlu watercolor paints and I’m not one bit sorry.  They’re velvety and smooth.  The creaminess of the paints as I apply them to the paper helps keep my motivation up.  The colors are very strong and it doesn’t take alot to have a good punch.  A touch of the brush to the paint goes a long way. 

That little bird perched on a branch was my attempt at a touch of whimsy!  I saw that photo in my swipe file and thought how charming it would be to have him sitting in the midst of all those blooms.  So there he is.

It’s almost done.  The friend I’m painting this for should be happy with it.  And if not, I am so keeping it!

I haven’t spent this much time on a painting in quite a while.  Usually I work at a frenzy, moving, standing,

manipulating the paint with my brush.  This time I slowed down.  I still stand and move back to view my work, but it’s a comfortable pace.  The energy is there, it’s just subdued.

I guess that’s what the zen is all about.  What do you think?

                                                        

I’m a Slacker!

Yeah, okay, I said I was at the end of The Artist’s Way, but I’m not done with it.  Totally, not done with the course in Week 12.  How can I be done if I didn’t do the tasks?  I’m a slacker!  Is there a good reason why I can’t get it together over here, or what?  Okay, so I’m in a pouty, stomping my foot mood. Blah.  Didn’t do the tasks, didn’t have the artist date, didn’t paint.  I did do Morning Pages every day.  I fooled around with some beads and made a new bracelet, but that’s not what I wanted to do this week.  Now Christmas is coming and I barely did anything about that!  I need to make a list, but I already have a list and I can’t stick to it!  I’ll end up with a list of lists!  I need to take a deep breath, in, hold, and out.

How do you handle it when you have so many things to do and can’t get to any of them?  I get one thing done and forget the other.  I do the other, and forget the next.  I make one necessary phone call and don’t have time for the other call.  And then I forget to make the other call all together.  This is bad!  Am I ever going to be free of these “things” and just spend the day painting?  Nah, don’t think so.

I remember my last semester in college when we didn’t need to be in class to paint.  We were to have a meeting with the professor once a month for a critique of the work we were doing at home or where ever we were painting.  Weeks were passing and I felt like I had all the time in the world.  I was doing everything but painting,  Daydreaming of painting was more like what I was doing.  Thinking about what I wanted to paint while the time passed.  What else was I doing?  I don’t even know.  Other things were happening, I was at home as a commuter student, so–I don’t know!  It’s a blank. 

Then one day I received a postcard about when the meeting with the professor would take place.  It was going to be that week. Yikes!  I had nothing!  I knew what I was supposed to be working on and decided in a flash to get to it.  My prof had previously told me to paint bigger!  I tend to paint big in too small a space.  Every time I painted bigger he’d say, Paint Bigger!  So I got out the roll of canvas I had, kicked it out on the floor of my basement and where it stopped I cut it.  I painted and painted, all day and into the night.  Five feet high by nine feet long later I was done!  Did I say I work well under pressure?  Well I do.  Doesn’t mean it’s a good thing.

Who could stretch such a big canvas in a small space?  I painted it flat, rolled up the damp oil painting, and threw it in my car to take it to my class.  Well, the professor was thrilled with my BIG work.  Eventually, I painted four more like that.  They were color studies and as I went on to each I used the minimum of colors to get the same effect.  They were beautiful.  But did I have to be shocked into doing what I needed to do?  What’s with that?  I worked as if someone was chasing me with a lit torch.  It’s too stressful and panicky.

Color Study 1, oil on canvas  36×36  ©1977 Dora Sislian Themelis

I’m trying to avoid that kind of panic in my life.  But I don’t think I’m going to change much.  Someone once asked me what I was like years ago and what made me think I was going to be much different now?  I guess I’m still the same person, but I’d like to think I could change a couple of things, right?

Drums and Drawing

Teacher ©Dora Sislian Themelis

When my sons were younger they had the opportunity to attend a class to learn to play an ethnic drum called the doumbek.  The doumbek has origins in Greece and the Middle Eastern world.  My oldest was, and still is, very musical and plays a variety of traditional Greek instruments. 

This drum was the first instrument he showed an interest in as my Armenian father owned one.  He’d let my son play and he was pretty good at it for a kid.  The younger son is also musical, but he just liked to fool around, not serious about it at all.  They both have that creative gene, right-brain thing, though.

Teacher in Color
©Dora Sislian Themelis

Since they were kids, I had to drive them to the class, which was almost thirty minutes from our house.  Well, I decided that if I’m driving, I’m taking drawing tools with me.  No sense having all that action and not get it on paper.  Unfortunately, the first time I drove my kids to the lesson I forgot my sketchbook and pencils.  I found a lined notebook paper, grabbed a pen and just started doodling.  I could kick myself because the doodle I drew of one of the students came out great and she wanted it for herself! 

Drum Lesson ©Dora Sislian Themelis

The next week I came prepared.  I brought my sketchbook, pencils, and some Nu-Pastels.  It was a very exciting drawing adventure.  There was music, action, and the students were of different ages and personas.  Drawing moving people isn’t easy.  I had to decide the general direction of the pose and work from there. 

Helen ©Dora Sislian Themelis

Hands and bodies kept moving, heads were bobbing, feet tapping to the beats, stopping and starting.  Nothing like the short poses in life drawing class with a model who stands still for a few minutes and then changes the pose.  This movement was non-stop.  But it was great to be caught up in the moment with the drum beats blasting.  Very energetic.

The teacher, the students and some observers were my models each week.  While the others had their doumbek lesson, I was having my own lesson in observing and drawing the moving figure.  It was a great time.

Doumbek Class ©Dora Sislian Themelis